In the 2000s, Vija Celmins continued to develop her detailed and contemplative approach to art, focusing on natural phenomena and the interplay between perception and reality. This period saw her return to themes and techniques she had explored in previous decades while also incorporating new methods and subjects. One of the key focuses of Celmins' work in the 2000s was the night sky. Works such as "Night Sky #18" (2000-2001) showcase her meticulous technique and her ability to capture the vastness and complexity of the cosmos. These paintings often involve layers of paint applied and then partially removed to create a rich, textured surface that mimics the appearance of the night sky. Celmins' attention to detail and her nuanced use of black and grey tones give these works a sense of depth and infinity, inviting viewers to engage closely with the subtle variations in each piece. In addition to her night sky paintings, Celmins also revisited the motif of spider webs during this decade. Her work "Web #2" (2000-2001), for example, demonstrates her ability to render the delicate and intricate structures of spider webs with remarkable precision. By focusing on the translucency and fragility of the webs, Celmins emphasizes the ephemeral beauty of these natural forms. This period also saw her experiment with mezzotint and other printmaking techniques to capture the fine details of her subjects. Celmins' exploration of the ocean continued with pieces like "Ocean Surface Wood Engraving" (2000-2001). This work highlights her skill in wood engraving, a medium that allows her to achieve a high level of detail and texture. The repetitive patterns of the ocean surface, devoid of any horizon or contextual markers, create an immersive experience for the viewer, drawing them into the subtle complexities of the natural world. The 2000s also featured retrospectives and exhibitions that highlighted Celmins' extensive career and the evolution of her artistic practice. A notable retrospective at The Metropolitan Museum of Art, titled "To Fix the Image in Memory," showcased her works from the 1960s to the early 2000s, emphasizing her sustained focus on themes of perception, memory, and the natural environment. Vija Celmins' work in the 2000s continued to reflect her deep engagement with the natural world and her commitment to meticulous detail and craftsmanship. Her ability to transform simple natural elements into profound visual experiences underscores her status as a significant figure in contemporary art. Art21, "Vija Celmins: Artwork Survey: 2000s" The Metropolitan Museum of Art, "Vija Celmins: To Fix the Image in Memory" National Galleries of Scotland, "Vija Celmins Learning Resource"