Tracey Emin's art in the 2000s continued to explore deeply personal and autobiographical themes, often focusing on her own experiences, emotions, and body. During this period, her work ranged across various media including neon, embroidery, and film, further establishing her reputation as a leading contemporary artist. In 2000, Emin created "I've Got It All," a raw and provocative self-portrait that reflects themes of sexuality, vulnerability, and the commodification of the artist's own body. This work captures the paradox of Emin's commercial success against her personal vulnerabilities, presenting a powerful commentary on the intersection between art, fame, and personal identity​ (The Art Story)​. Emin's exploration of personal history is further exemplified in her 2002 work, "To Meet My Past," where she employs embroidery and appliqué techniques to create a narrative bed sculpture. This piece revisits themes of trauma, sexuality, and memory, crafting a poignant narrative of Emin's own past experiences. The use of traditionally feminine crafts like embroidery in her art challenges and reclaims these mediums, integrating them into the sphere of fine art and feminist discourse​ (The Art Story)​. In the same vein, Emin's work with neon lighting became prominent in the 2000s, offering a direct and emotive form of expression. Her 2007 piece "You Forgot to Kiss my Soul" features her distinctive handwriting in neon, creating a personal and intimate dialogue with the viewer. This work, like many of Emin's neon pieces, blends personal revelation with artistic expression, showcasing her ability to convey deep emotional truths through the medium​ (The Art Story)​. Emin's participation in the 1999 Turner Prize exhibition with "My Bed" became a pivotal moment in her career, drawing both acclaim and controversy. This installation, featuring her unmade bed surrounded by personal objects, offered an unflinching look at her life and was a seminal work in the movement of confessional art. The media storm and public debate it generated cemented Emin's status as a significant figure in contemporary British art, challenging societal norms and expectations about femininity, art, and personal expression​ (Artsy)​. Through her work in the 2000s, Emin continued to navigate the complexities of personal experience, using her art as a means to explore and express themes of love, loss, identity, and the human condition. Her distinctive voice and unapologetically personal approach to art have made her one of the most compelling and influential artists of her generation.