Tom Wesselmann's "Standing Still Lifes" series, created between 1967 and 1981, comprises monumental works that assemble everyday objects into large-scale structures. These pieces, which were first collectively presented at the Gagosian Gallery in New York, challenge the viewer's perception, appearing to advance or recede based on the observer's position. The series, including works like "Still Life #60" and "Still Life with Belt and Sneaker," primarily features objects associated with female use, reflecting societal beauty standards and consumerism of the 1970s. The exhibition not only showcases the final artworks but also includes drawings, diagrams, and models that offer insight into Wesselmann's creative process. This was the first time these still lifes were exhibited together, with most of them being owned by the artist's heirs​ (Obras Bellas Artes)​.