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Artists/Sam Gilliam

Fast Facts


Drape Paintings

Gilliam is perhaps best known for his innovative "Drape Paintings," which he began in the late 1960s. These works are characterized by unstretched, draped canvases, breaking free from the traditional rectangular format.

Color Field Painting

He is associated with the Color Field movement and is known for his vibrant use of color. His works often feature bold, fluid colors that bleed and blend into one another, creating dynamic, emotive compositions.

Experimental Techniques

Gilliam's approach to painting is experimental. He often pours, splatters, and stains paint onto canvases, sometimes folding or crumpling them while the paint is still wet, to create unique textures and forms.

Biography


Sam Gilliam, a distinguished American abstract artist whose career spanned several decades, was born on November 30, 1933, in Tupelo, Mississippi, and grew up in Louisville, Kentucky. He was the seventh of eight children born to Sam Gilliam, Sr., a railroad worker, and Estery Gilliam, a homemaker.

Demonstrating an early interest in art, particularly in cartoon drawing, Gilliam pursued his passion for art through his education. He graduated with a Bachelor of Arts degree in Fine Arts from the University of Louisville in 1955, where he also held his first solo art exhibition. Following his undergraduate education, Gilliam was drafted into the United States Army in 1956, serving for two years. Upon his honorable discharge, he returned to the University of Louisville to earn a Master of Arts degree in painting in 1961​ (Wikipedia)​​ (The HistoryMakers)​​ (Welcome to Blackpast •)​.


After marrying Dorothy Butler in 1962, who would later become the first black female reporter at the Washington Post, Gilliam moved to Washington, D.C., a city that would become central to his life and work. In D.C., he was introduced to the Washington Color School in 1963 by artist Thomas Downing. Gilliam became known for his innovative use of unframed, draped canvases that interacted with the architecture of their display spaces, a significant departure from traditional canvas stretching and framing methods​ (The HistoryMakers)​.


Gilliam's work and influence extended beyond his artistic creations. He was actively involved in the civil rights movement, participating in sit-ins, pickets, and protests against segregation. His activism reflected his deep commitment to social justice and equality, marking him as not only an artist but also a significant cultural figure of his time​ (Wikipedia)​.


Throughout his illustrious career, Gilliam received numerous accolades, including honorary degrees from Northwestern University and the University of Louisville, a Norman W. Harris Prize from the Art Institute of Chicago, two National Endowment for the Arts Awards, and a Guggenheim Fellowship. His work has been featured in galleries worldwide, and he remained dedicated to teaching, sharing his knowledge with students in Washington, D.C., public schools, Carnegie Mellon University, and the University of Maryland​ (The HistoryMakers)​.


Gilliam's contributions to art were not limited to his famous draped canvases. He explored a variety of mediums and styles, including geometric collages and sculptural pieces, demonstrating his versatility and relentless innovation as an artist. His works are part of permanent collections in prestigious institutions across the United States and France, including the National Gallery of Art in Washington, D.C., the Metropolitan Museum of Art in New York, and the Smithsonian National Museum of American Art​ (Welcome to Blackpast •)​.


Sam Gilliam passed away on June 25, 2022, at the age of 88, leaving behind a legacy that continues to inspire and influence the art world. His pioneering work and life story serve as a testament to his creative genius, his dedication to social justice, and his enduring impact on American art​ (The HistoryMakers)​.

Importance


Sam Gilliam's significance in the art world is profound and multifaceted, marking him as a trailblazer who expanded the boundaries of abstract art.

Innovation with Draped Canvases

Gilliam's radical departure from traditional canvas presentation, introducing the concept of draped, unstretched canvases, revolutionized the field of painting. This innovation, partially inspired by the sight of laundry hanging on clotheslines, introduced a new sculptural dimension to painting, enabling his artworks to inhabit space in a more dynamic and engaging way. This approach earned him the title of the "father of the draped canvas" and has been of widespread influence, blurring the lines between painting and sculpture and allowing for rearrangement and interaction by viewers​ (Smithsonian American Art Museum)​.

Evolution and Experimentation

Throughout his career, Gilliam was never content to stagnate. After the success of his draped canvases, he moved on to create dynamic geometric collages, the "Black Paintings," and later the quilted paintings. His work in the 1980s and beyond incorporated thick layers of paint, metal forms, and non-traditional materials, showcasing his relentless pursuit of new forms and expressions​ (Smithsonian American Art Museum)​​ (TheCollector)​.

Public Art and Teaching

Beyond his studio practice, Gilliam was deeply committed to public art and education. He worked on a monumental scale, receiving major public commissions across the country, and viewed teaching art as a mission, teaching in public schools, universities, and workshops both in the United States and internationally. His dedication to sharing his love of art made a significant impact on generations of artists and students​ (Smithsonian American Art Museum)​.

Impact on Post-Modern Abstraction

Gilliam's contributions to post-modern abstraction have been monumental. His work, particularly the Drape series, pushed traditional painting and sculpture into new territories, incorporating influences from the Washington Color School and jazz music to explore the limitless possibilities of abstraction. His experimentation with color, form, and materials has authored an original visual language that has significantly influenced contemporary art​ (Hirshhorn Museum)​.

Engagement with Social and Political Themes

Despite criticisms from some quarters of the Black Arts Movement, Gilliam maintained that abstract art could be a powerful tool for social change. His involvement in the Civil Rights Movement and his leadership role in the NAACP underscored his belief in the potential of art to engage with and reflect upon societal issues. Gilliam's work demonstrates that abstraction is not divorced from the social and political, but can be a nuanced medium for exploring these themes​ (TheCollector)​.

Technique


Sam Gilliam's technique in art is renowned for its innovation, diversity, and influence on subsequent generations of artists. His work traverses the boundaries of painting, sculpture, and installation art, leaving a lasting legacy that reshaped the landscape of abstract art.

Introduction to Color Field Painting

Upon his arrival in Washington D.C. in 1962, Gilliam was introduced to the Washington Color School, leading him to adopt a nonrepresentational style characterized by large, clean-edged paintings with flatly applied areas of color. This early work laid the foundation for his exploration of color and form, embracing techniques such as taping, pouring colors, folding, staining canvases, and folding wet canvases against themselves to imprint various forms​ (Smithsonian American Art Museum)​.

Draped Canvases

Around 1965, Gilliam pioneered the technique of the unsupported canvas, inspired by the sight of laundry hanging on lines. He began to drape and suspend large areas of paint-stained canvas, moving away from traditional frames and stretchers. This approach allowed his paintings to inhabit space more dynamically, blurring the lines between painting and sculpture. These works could be rearranged at will, sometimes incorporating materials like metal, rocks, and wooden beams to enhance their sculptural quality​ (Smithsonian American Art Museum)​​ (UGA Art Museum)​.

Dynamic Geometric Collages

In the mid-1970s, Gilliam shifted focus to creating dynamic geometric collages, influenced by jazz musicians like Miles Davis and John Coltrane. This period saw the creation of the "Black Paintings," which integrated geometric motifs over layers of bright and dark colors. By superimposing geometric shapes over textured backgrounds, Gilliam merged the abstract freedom of his draped paintings with the structured formality of hard-edge painting, emphasizing the canvas's mutability​ (Smithsonian American Art Museum)​​ (TheCollector)​.

Quilted Paintings

During the 1980s, Gilliam's paint application techniques evolved significantly. He replaced his earlier method of staining and saturating wet canvases with a process that involved building up thick layers of acrylic paint and gels in a rich impasto. Cutting geometric shapes from these encrusted surfaces and rearranging them on nylon or canvas, his quilted paintings drew inspiration from African American patchwork quilts, echoing jazz improvisation and cultural visual traditions​ (Smithsonian American Art Museum)​​ (Artland Magazine)​.

Later Works and Public Art

Gilliam's later works continued to push the boundaries of his medium, incorporating textured paintings juxtaposed with metal forms and employing materials like enamel paint, canvas, nylon, and awning materials alongside metals. His innovative approach to public art and monumental scale commissions, combined with his dedication to teaching, solidified his status as a leading figure in contemporary painting​ (Smithsonian American Art Museum)​.

Themes


Abstraction and Materiality

Drape Paintings and Sculptural Forms

Collage and Layering

Political Engagement and Abstract Art

Improvisation and Music

Interplay of Light and Color

Textural Exploration

Chronology


  • 1950s

    1950s

  • 1960s

    1960s

  • 1970s

    1970s

  • 1980s

    1980s

  • 1990s

    1990s

  • 2000s

    2000s

  • 2010s

    2010s