In the 1980s, Sam Francis's art continued to evolve, showcasing his distinctive use of color and form. This decade was marked by further experimentation and the production of works that deeply reflected his mastery of abstract expressionism and color field painting. Despite facing health challenges, including battling prostate cancer, Francis's creative output remained prolific and vibrant, characterized by his spontaneous and gestural applications of acrylic paint and washes. Francis's commitment to the graphic media led him to establish The Lapis Press in 1984, aiming to produce unusual and visually compelling texts. This endeavor highlights his ongoing interest in exploring and intersecting various artistic mediums​ (www.wikiart.org)​. Despite the physical limitations imposed by his illness in the last years of his life, Francis demonstrated remarkable resilience and adaptability. In a remarkable display of determination, he switched to painting with his left hand, completing around 150 small paintings. This body of work stands as a testament to his enduring passion for art and his ability to innovate in the face of adversity​ (www.wikiart.org)​. Francis's work from the 1980s, such as "Untitled (SFE-003 (Light Blue), 1982)" and "Untitled, 1986", showcases his continued exploration of abstract forms and his exceptional ability to manipulate color and space. His artworks from this period embody a blend of energy, intensity, and tranquility, reflecting his complex engagement with the material and spiritual worlds​ (Artsy)​. Throughout his career, Francis's artworks were deeply influenced by his travels and studies across different cultures, particularly his time in Japan. This cross-cultural exploration enriched his artistic vocabulary, enabling him to create a unique style that resonated with both Western and Asian philosophies. His work in the 1980s is a continuation of this rich dialogue, further cementing his legacy as a significant figure in post-war American painting​ (Sam Francis Foundation)​.