In the 1960s, Robert Rauschenberg's art continued to evolve, marking a significant period that saw the integration of contemporary culture, technology, and the exploration of social and political themes within his work. This decade was characterized by Rauschenberg's innovative use of materials and techniques, as well as his commitment to pushing the boundaries of traditional art forms. One of Rauschenberg's notable series from this period is the "Stoned Moon" series (1969-70), inspired by the Apollo moon landings. This series demonstrated his interest in space exploration and featured lithographs incorporating NASA's photographs, blending technological achievements with artistic expression. His work during this time reflected a broader interest in current events and culture, as seen in his engagement with space flight imagery and the exploration of social themes​ (The Art Story)​. The 1960s also witnessed Rauschenberg's exploration of printmaking, a medium that became central to his practice. He was particularly interested in the solvent transfer technique, which allowed him to incorporate found images from newspapers and magazines into his artworks, seamlessly blending them with painted areas. This technique was emblematic of Rauschenberg's desire to blur the lines between art and life, making the found image a paramount element of his visual vocabulary​ (Rauschenberg Foundation)​. Rauschenberg's engagement with technology was another defining aspect of his work during the 1960s. Collaborating with engineer Billy Klüver, he created "Oracle" (1962–65), a sound-producing sculptural environment, and "Soundings" (1968), a light installation responsive to ambient sound. These works exemplified his interest in integrating technology into art, making the viewer's experience more immersive and multi-sensory. This period also saw the founding of Experiments in Art and Technology (E.A.T.), an organization aimed at fostering collaboration between artists and engineers​ (Rauschenberg Foundation)​. Moreover, Rauschenberg's art in the 1960s extended to performance and stage design. His involvement in performance began at Black Mountain College and continued throughout his career. He worked closely with choreographers and dancers, contributing to the development of performance art as a significant mode of artistic expression during this period​ (Rauschenberg Foundation)​. The decade concluded with Rauschenberg turning his attention to world events and politics, as evidenced by his series "Currents" (1970), which critically examined contemporary news stories and photographs, presenting them in a fractured grid format. This series represented a sparer approach to printmaking, focusing on the tumultuous social and political climate of the time​ (National Gallery of Art)​. Rauschenberg's work in the 1960s significantly contributed to the evolution of contemporary art, merging traditional art forms with new media and technologies, and reflecting his ongoing interest in the intersection of art, life, and society.