Robert Rauschenberg's "Urban Bourbons" series, spanning from 1988 to 1996, marks a vibrant period in the artist's prolific career, showcasing his innovative use of materials and thematic exploration. This series of paintings is characterized by the integration of silkscreened images derived from Rauschenberg’s own photographs, alongside expressive brushstrokes and occasionally poured or flung paint. These elements are vividly presented in acrylic colors on surfaces such as enameled, mirrored, and anodized aluminum, creating a dynamic interplay between image, color, and texture​ (Rauschenberg Foundation)​.

The "Urban Bourbons" works reflect Rauschenberg's ongoing interest in blending technological methods with traditional artistic techniques, a theme consistent throughout his career. By the mid-1980s, Rauschenberg had begun focusing on silkscreening imagery onto various metal surfaces, a technique that allowed him to further explore the relationship between the sculptural and pictorial dimensions in his work. The "Urban Bourbons," alongside other series from this period such as "Borealis," "Phantoms," and "Night Shades," exemplify Rauschenberg's engagement with new materials and his continued use of more foundational techniques. These series collectively highlight his adeptness at merging digital inkjet photographic images onto diverse supports, thereby pushing the boundaries of conventional painting​ (Wikipedia)​.

Rauschenberg's "Urban Bourbons" stands as a testament to his unyielding commitment to innovation and his capacity to imbue found objects and images with new significance. Through this series, Rauschenberg invites viewers to navigate the complexities of urban life and the saturated landscapes of contemporary culture, all while engaging with his broader inquiries into the intersections of art, technology, and society.