The "Runts" series marks a distinctive chapter in Robert Rauschenberg's illustrious career, standing out as his final painting series before his passing. Created between 2006 and 2008, these works are characterized by their smaller size compared to his preceding "Scenarios" series. Each piece in the "Runts" series is crafted on a single panel rather than two, yet Rauschenberg employs a similar creative process for both series. The technique involves the use of an inkjet printer to produce digital color prints of photographs, which are then transferred onto polylaminate panels using water (Rauschenberg Foundation).
Despite their relatively smaller dimensions, approximately 5 feet by 6 feet, the "Runts" series generated significant attention when unveiled. The collection was celebrated for its innovative blend of images, a continuation of Rauschenberg's exploration of photographic transfer techniques that he began experimenting with in the 1960s. Unlike his earlier work that often drew from the pool of mass media imagery, the "Runts" series showcases a more personal touch, relying on the artist's own photography. This shift is evident in the content and scale of the work, offering a more intimate glimpse into the artist's perception and experiences. The juxtaposition of diverse images, from graffiti and Greek ruins to colorful kayaks against urban elements like subway signage and fire hydrants, reflects Rauschenberg's enduring fascination with capturing the essence of daily life and weaving it into the fabric of his art (The New York Sun).
The exhibition of the "Runts" series not only highlighted Rauschenberg's innovative artistic techniques but also served as a testament to his significant influence across multiple creative domains, including dance and music. The launch event attracted a wide array of attendees from the art world, underlining Rauschenberg's status as a pivotal figure in American art. His ability to continuously innovate and push the boundaries of art, even in the latter stages of his career, reaffirmed his legacy as a trailblazer who remained actively engaged with the artistic process (The New York Sun).
