In the 1990s, Cy Twombly's art continued to reflect his deep engagement with ancient texts, mythology, and history, alongside a pronounced use of text and poetry in his works. This period saw Twombly residing between Italy and the United States, with his work being influenced by his environments, both domestic and historical. His art from this era maintained a dialogue with the classical past, utilizing a contemporary language that bridged historical narratives with personal expression. Twombly's art in the 1990s, therefore, stands as a testament to his enduring exploration of themes surrounding cultural memory, mythological subjects, and the expressive possibilities of mark-making​ (The Art Story)​​ (Wikipedia)​. Twombly's approach to incorporating ancient texts and poetry into his art became a defining aspect of his work during the 1990s. Reading ancient Greek and Latin poetry in English translation became part of his creative process, and he often integrated poets' names and verses into his artworks. This integration was not straightforward; Twombly allowed for a fluid and imaginative engagement with the text, inviting viewers to search for meaning amidst the abstract gestures and painterly elements of his compositions. The works from this period are characterized by their elusive, coded nature, yet they also encourage a personal and imaginative engagement, suggesting Twombly's own nuanced relationship with the ancient world​ (Getty Art)​. An important aspect of Twombly's work in the 1990s was his treatment of classical material as a form of vernacular, suggesting that ancient themes could be approached in a personal and sometimes light-hearted manner. This approach was evident in his playful engagement with texts, where he would often edit, misspell, or playfully misinterpret lines from translations, showcasing the mediated nature of historical material. Twombly's work thus offered the classical world as both accessible and personal, emphasizing the creative process of engaging with historical narratives and the act of making the past present​ (Gagosian)​. Cy Twombly's art in the 1990s is a reflection of his lifelong fascination with the classical past, expressed through a contemporary artistic language that melds text, history, and personal expression. Through his innovative use of text and his engagement with mythological and historical themes, Twombly's work from this period continues to resonate with viewers, inviting them to explore the depths of cultural memory and the complexities of human emotion and intellect.