Richard Prince's "Tiffany Paintings" series debuted at the Gagosian Gallery in New York from May 7 to June 19, 2010. This body of work marks an intriguing development in Prince's exploration of American pop culture and consumerism. The series primarily features large-scale paintings that reimagine and deconstruct the iconic Tiffany & Co. blue boxes, transforming these familiar luxury symbols into abstract and conceptual artworks.

Prince's approach to the "Tiffany Paintings" involves a blend of abstraction and recognizable branding. He layers the distinctive Tiffany blue with hand-painted elements, incorporating text and imagery that evoke both high-end commercialism and a critique of its cultural implications. The works often include phrases and imagery associated with Tiffany & Co., thereby juxtaposing the company's polished, elegant image with a more raw, artistic interpretation.

The paintings are noted for their almost abstract quality, which contrasts sharply with the clean, controlled image that Tiffany & Co. projects. This contrast is central to Prince's critique of consumer culture, emphasizing how commercial imagery can be both pervasive and manipulable. By recontextualizing the Tiffany brand within the realm of fine art, Prince challenges viewers to reconsider the significance and impact of luxury branding in everyday life.

Critics have highlighted the way Prince's "Tiffany Paintings" blur the lines between high art and commercial art, a recurring theme in his oeuvre. The series reflects his ongoing fascination with the intersections of art, advertising, and consumerism, offering a nuanced commentary on the commodification of culture.

The "Tiffany Paintings" series is a compelling addition to Richard Prince's body of work, showcasing his ability to transform and critique familiar symbols of consumerism through his distinctive artistic lens​ (purple)​​ (Artsy)​​ (Time Out Worldwide)​.