Richard Diebenkorn's Albuquerque series, created between 1950 and 1952 during his time at the University of New Mexico, marks a significant and transformative period in his career. Supported by the G.I. Bill, Diebenkorn's relocation to Albuquerque distanced him from the more established art worlds of the East and West Coasts, providing him a unique environment that fostered an intense period of growth and experimentation.

This phase in Diebenkorn's work is characterized by a profound exploration of abstract expressionism. The Albuquerque series comprises a collection of works that are deeply reflective of Diebenkorn's evolving artistic vision, showcasing his experiments with form, color, and composition. The pieces from this period are notable for their mature and beautiful execution, despite Diebenkorn being relatively early in his career at this point.

The series includes a variety of mediums, including oil on canvas and works on paper, and it is evident that this time was crucial for Diebenkorn in honing his abstract style. One of the pieces from this period, an oil on cardboard painted in 1951, highlights Diebenkorn's signature use of bold, defining lines and a nuanced, expressive use of color. This piece is part of the University of New Mexico Art Museum's collection, a gift from the artist himself, underscoring his connection to the region and its influence on his work.

Diebenkorn's Albuquerque series was not only pivotal for his own artistic development but also holds a significant place within the broader context of American art. It represents a key chapter in Diebenkorn's career, bridging his early abstract works and his later, more renowned series such as the Ocean Park paintings. The work he produced in Albuquerque has been the subject of various exhibitions and remains a focal point for studies on Diebenkorn's impact on post-war American art​ (San José Museum of Art)​​ (Richard Diebenkorn Foundation)​.