In the 2000s, Peter Doig's art underwent significant transformations, deeply influenced by his move back to Trinidad. This period is characterized by more open compositions, with surrealistic figures and symbols that are more directly engaging than the densely detailed work of his earlier period. For instance, works like "Night Bathers" (2011–19) and "Painting on an Island (Carrera)" (2019) showcase this shift, with vivid, almost spectral representations set against Trinidad's lush landscapes. These pieces express Doig's profound connection to Trinidadian culture, despite his own reflections on being an outsider in a former British colony. His engagement with the local art scene and history is evident, portraying a deep respect and love for the island's vibrancy and its influence on his work (Artsy). Doig's continued exploration of themes such as memory, place, and the intersection of different cultural influences is prominent. His work during this period is a vivid tribute to Trinidad, with music becoming a potent theme, as seen in his portrayals of calypso and soca musicians. The use of music and musicians in his paintings underscores the island's rich musical heritage and its impact on Doig's artistic vision (Artsy). Moreover, Doig's paintings in the 2000s retain their "filmic" quality, with cinema continuing to play a significant role in his creative process. He established the Trinidad Studio Film Club, where the intersection of film and painting further enriched his artistic language. His paintings from this era are lauded for their atmospheric depth and narrative complexity, echoing influences from artists like Edvard Munch and Henri Matisse, yet standing on their own as distinct contributions to contemporary art (Art UK). Doig's art from the 2000s represents a period of rich artistic evolution, marked by a deeper engagement with the cultural and natural landscapes of Trinidad. His work from this era is celebrated for its ability to bridge various artistic influences and mediums, resulting in a body of work that is both uniquely personal and universally resonant.