In the 2010s, Peter Doig's art continued to evolve and resonate deeply with audiences, reflecting his experiences and influences during this period. Doig, known for his evocative landscapes and exploration of memory and place, further expanded on these themes, integrating elements of his life in Trinidad and his return to London. The decade showcased Doig's penchant for blending reality with imagination, creating scenes that are both familiar and otherworldly. One of the notable aspects of Doig's work in the 2010s is his continued use of cinematic and photographic references, which have long been a hallmark of his practice. Doig's paintings are often described as 'filmic,' revealing the significant impact cinema has on his visual language. This cinematic quality imbues his work with a narrative depth and atmospheric complexity, inviting viewers into richly detailed and emotionally resonant worlds​ (Art UK)​. During this period, Doig's exploration of color and form reached new heights, with works that are both visually stunning and deeply layered in meaning. His use of large canvases and intricate details allows viewers to immerse themselves in the painted scenes, engaging with the psychological and emotive undercurrents that lie beneath the surface. This approach not only showcases Doig's virtuosic technique but also his ability to convey a sense of atmosphere and place, drawing on a wide range of artistic influences, from Canadian landscape artists to modernist masters like Gauguin and Matisse​ (Art UK)​. The exhibition "Peter Doig: No Foreign Lands," which opened at the Musée des beaux-arts de Montréal, highlighted Doig's work since 2000, offering a comprehensive look at his output in the 2010s. This exhibition underscored Doig's ongoing dialogue with the traditions of painting, his engagement with contemporary issues, and his unique position within the broader art world. Despite the significant commercial success his work has achieved, Doig remains focused on the act of painting itself, exploring new subjects and worlds through his distinctive visual language​ (Canadian Art)​. Doig's recent exhibitions, such as the one at the Courtauld Gallery in London, further illustrate his position as an "outsider" artist constantly navigating between places and cultural contexts. His relocation from Trinidad to London and the subsequent impact on his work reflect a continued exploration of dislocation and memory. Works featured in these exhibitions, including "Canal" (2023), showcase Doig's ability to create magic from real places, transforming everyday scenes into captivating visual narratives. This sense of transition and the interplay of memory and place remain central to Doig's work, as he continues to redefine landscape painting and its possibilities in the contemporary moment​ (Artnet News)​. Peter Doig's art in the 2010s is a testament to his enduring fascination with the landscapes of the mind and the world, offering viewers a gateway into experiences that are both deeply personal and universally resonant.