Louise Bourgeois' art in the 2000s represents a profound exploration of memory, trauma, and the human experience, continuing themes that pervaded her work throughout her career. Born in Paris in 1911, Bourgeois' early life was marked by significant emotional and psychological challenges, particularly stemming from her father's infidelity, which deeply influenced her artistic expression. This foundation laid the groundwork for a lifetime of creation that delved into the complexities of personal history, emotional states, and the body's representation. By the 2000s, Bourgeois had solidified her reputation as a pioneering figure in contemporary art, known for her large-scale sculptures, installations, and prints that often incorporated autobiographical elements. Her work is characterized by its deep introspection and the use of symbolic motifs, such as the spiral, which she associated with control, freedom, and the act of wringing out tapestries in her youth—a metaphor for dealing with her father's mistress in her dreams. This symbolic language speaks to the influence of Surrealism on Bourgeois, as well as her ability to draw from both her conscious and subconscious to inform her art​ (The Art Story)​. Bourgeois' journey into art began after the death of her mother in 1932, leading her to abandon her studies in mathematics at the Sorbonne in favor of art—a decision further influenced by her encounters with notable figures such as Fernand Léger, who recognized her talent for sculpture. Her migration to New York in 1938 with her husband, American art historian Robert Goldwater, marked the beginning of her lifelong engagement with the city's art scene and her development into a multidisciplinary artist​ (Wikipedia)​. Throughout her career, Bourgeois' work engaged deeply with themes of femininity, sexuality, and the body, often challenging conventional narratives and exploring the emotional landscapes of her own life. Despite her rejection of the label, her work contributed significantly to feminist art discourses, particularly through her exploration of the female form and the domestic sphere. Her pieces from the late 20th and early 21st centuries, such as the iconic "Maman" spider sculptures, symbolize maternity and protection, juxtaposing strength with vulnerability​ (Wikipedia)​. In her later years, especially in the 2000s, Bourgeois continued to push boundaries, utilizing a variety of materials and forms to express her nuanced understanding of human emotions and relationships. Her legacy, deeply entwined with her exploration of personal trauma, memory, and the process of artistic creation, has left an indelible mark on contemporary art, informing and inspiring future generations of artists​ (The Art Story)​. Bourgeois' art is not just a reflection of her personal history but a universal exploration of the human condition, making her one of the most compelling and influential artists of her time. Her work remains a testament to the power of art to confront, heal, and transcend the complexities of the human psyche.