Louise Bourgeois' À l’Infini (set 1) from 2008 is a deeply immersive series of artworks that exemplifies her experimental approach to printmaking, especially in her later years. Collaborating with publisher Benjamin Shiff, Bourgeois ventured into large-scale works, utilizing custom-made large sheets of paper for this purpose. The series, recognized for its emotional depth and technical complexity, includes themes and imagery such as phallic shapes, eggs, veins, and wombs, all designed to engulf and move the viewer. The creation process was marked by a tangible, passionate engagement with the materials—wet, unorganized, and deeply sensual. This set of works represents Bourgeois' endeavor to explore the unknown through familiar elements, expressing a creative language of anticipation and discovery​ (The Museum of Modern Art)​.