Louise Bourgeois' "Eye Benches" series is a notable work in the realm of public sculpture, representing a fusion of art, functionality, and psychological exploration. Created between 1996 and 1997, this series comprises three sets of benches, each set known as Eye Benches I, II, and III, and is installed at the Olympic Sculpture Park in Seattle, Washington. Each set consists of two benches, crafted from black Zimbabwe granite, and carved by Italian stonemasons under Bourgeois' direction. These benches are not only functional pieces of outdoor furniture but also significant works of art that reflect Bourgeois' interest in surrealism, the human condition, and the interplay between observation and being observed.

The benches are distinguished by their unique design, resembling giant, observant eyes. This resemblance is not merely aesthetic; it invites interaction from the viewer, turning a simple act of sitting into a participatory experience with the artwork. The eyes, with their variations in scale, form, and detailing, seem to follow the movements of visitors, creating a sense of being watched. This interactivity highlights Bourgeois' fascination with the dynamics of observation, making the benches a medium through which the artist engages with the public in a shared space.

Bourgeois' work often delves into themes of emotional and psychological depth, using symbolism and abstraction to express complex states of being. The "Eye Benches" are no exception, serving as what Bourgeois termed "confrontation pieces" — artworks that challenge the viewer to engage with them on a deeper level. She likened her sculptures to the "conversation pieces" of the 18th century, though with a twist that encourages a more introspective form of engagement. This quality makes the "Eye Benches" not only a place of rest in the physical sense but also a catalyst for reflection and emotional connection.

This series is a part of Louise Bourgeois' extensive oeuvre, which spans over several decades and includes a diverse range of work from sculpture to painting. Born in Paris in 1911 and later becoming an influential figure in American and global art, Bourgeois' work continues to captivate audiences with its profound exploration of the human psyche, relationships, and the artist's own personal history. The "Eye Benches" stand as a testament to her innovative approach to art, seamlessly blending form and function while inviting viewers into a dialogue with the work and themselves​ (Wikipedia)​​ (Seattle Art Museum)​​ (Harvard Business School)​​ (Seattle Art Museum)​.