In 1984, Keith Haring continued to expand his influence and visibility in the art world through numerous public projects, exhibitions, and collaborations. This year was marked by several significant events and works that underscored his commitment to social activism and public engagement. One of the notable highlights of 1984 was Haring's mural project in Collingwood, Melbourne, Australia. This mural, created at the Collingwood Technical School, is one of only 31 known murals by Haring still in existence worldwide. The mural showcases his iconic style of bold lines and vibrant colors and has become a treasured piece of public art in Melbourne. The mural's conservation and restoration efforts highlight its lasting impact and importance in Haring's body of work (DailyArt Magazine). Haring also traveled to various other locations around the world to create public murals, including cities like Paris, Berlin, Pisa, Sydney, and Rio de Janeiro. These murals were often painted in public spaces such as children's hospitals, charities, and orphanages, reflecting Haring's dedication to making art accessible and meaningful to diverse communities. His murals from this period often addressed social and political issues, using his art as a platform to advocate for change (www.wikiart.org) (DailyArt Magazine). In the same year, Haring produced significant artworks such as "Untitled" (1984), an acrylic on canvas tarp measuring over 12 feet in height, which is part of the collection of the Keith Haring Foundation. Another work, "Untitled" (1984), created with ink on leather, is part of the Rubell Museum collection. These pieces illustrate Haring's versatility and his ability to work with different mediums and large-scale formats (Akron Art Museum). Additionally, Haring's engagement with the gallery scene continued to grow. He had a major exhibition at the Tony Shafrazi Gallery in New York, which featured a range of his paintings and drawings. This exhibition helped to further establish his reputation within the contemporary art market and provided a platform for his socially charged works (Haring). Haring's art in 1984 continued to reflect his dynamic style and his commitment to addressing pressing social issues through visual means. His ability to merge the worlds of street art and high art, while maintaining a strong focus on activism and public engagement, solidified his place as a pivotal figure in the art world during the 1980s (Haring) (Akron Art Museum) (DailyArt Magazine).