In 1988, Keith Haring's art was heavily influenced by his diagnosis with HIV/AIDS, leading him to intensify his activism through his artwork. This year saw the creation of several significant pieces and projects that highlighted both his personal struggles and his broader social concerns. One of the most poignant works from this period is an untitled painting from 1988, which reflects the weight of the AIDS crisis. This piece features a human figure burdened by a massive cracked egg, from which a devil-horned sperm emerges, symbolizing the overwhelming impact of the disease on individuals and communities. Haring's use of stark black and white imagery underscores the gravity of the epidemic and his personal sense of urgency (Art Gallery of Ontario). Haring also produced a series of silkscreen prints titled "Growing" in 1988, consisting of five designs that depict groups of figures merging their energies. These works emphasize themes of unity and collective action, reflecting Haring's belief in the power of community and collaboration to effect change (Haring). Additionally, Haring designed the label for the 1988 Mouton Rothschild vintage, which features a satirical take on the winery's Dancing Rams theme. This project showcased Haring's ability to blend commercial art with his distinctive style and social commentary (Chateau Mouton Rothschild) . Haring's activism extended to LGBTQ+ rights, as evidenced by his involvement in the first National Coming Out Day on October 11, 1988. He designed a poster for this event, which has since become a symbol of LGBTQ+ visibility and pride (Artnet). 1988 was a year of significant artistic and activist achievements for Keith Haring. His works from this period continue to resonate for their bold visual style and powerful messages, underscoring his legacy as an artist committed to social justice and public engagement (Haring) (Art Gallery of Ontario) (Haring) (Chateau Mouton Rothschild).