Keith Haring's "Apocalypse" series, created in 1988, marks a significant and somber period in the artist's career, particularly reflecting his response to his AIDS diagnosis. This series, a collaboration with the literary figure William S. Burroughs, consists of 10 screenprints that delve into themes of life, death, religion, sexuality, and the societal response to the AIDS epidemic. The artworks embody a raw and haunting narrative, vividly portraying the turmoil and despair of the era. The first print, for example, draws inspiration from a chaotic scene described by Burroughs, featuring rebellious household appliances in a dystopian revolt, which serves as a metaphor for the broader societal chaos and fear (Haring Gallery).
The series showcases Haring's use of stark Christian symbolism intertwined with imagery from 1950s advertisements and Catholic theology, creating a unique visual language that reflects on mortality, spirituality, and the human condition amidst the crisis. Images such as a bleeding heart Christ, reminiscent of traditional religious art, are juxtaposed with modern symbols, suggesting a blend of sacred and profane that highlights the complexities of the age (Haring Gallery).
"Apocalypse" is notable not just for its artistic merit but also for its profound social commentary, exploring the devastating impact of the AIDS crisis both personally for Haring and globally. It reflects a period of intense reflection and activism for the artist, using his distinctive style to communicate urgent and critical messages about the time's pressing issues (Guy Hepner).
This body of work, completed shortly before Haring's untimely death in 1990, stands as a testament to his enduring influence as an artist committed to social change. Through "Apocalypse," Haring and Burroughs transcend traditional artistic boundaries, merging visual and textual mediums to not only chronicle the challenges of the AIDS epidemic but also to engage with broader societal issues. Today, the series continues to resonate, exemplifying Haring's belief in the power of art to unite, provoke thought, and spark dialogue (Haring Gallery) (Guy Hepner).