Keith Haring's Totems reflect a fusion of influences that characterized his art, drawing from sources as diverse as 1980s breakdancing and ancient Egyptian iconography to create a unique form of spiritualism. These works, particularly notable in pieces like "Totem (Littmann PP. 159), 1989," demonstrate Haring's ability to synthesize a wide array of cultural elements into his own distinctive pop art style. His "Totems" are part of a series that also includes other themes, such as "Andy Mouse," "Apocalypse," and "Pop Shop," showcasing the breadth of his artistic exploration and the diversity of subjects he engaged with throughout his career.

Keith Haring, born in 1958 in Reading, Pennsylvania, moved to New York City in 1978 to attend the School of Visual Arts. Quickly immersing himself in the city's vibrant street art scene, Haring's work became known for its bold lines, dynamic figures, and the use of radiant colors. His art tackled significant social and political issues, making his work not only visually compelling but also rich in message and meaning. Haring's belief that art should be accessible to everyone was evident in his murals and public artworks, and this ethos is encapsulated in his "Totem" series as well.

Despite his untimely death in 1990 due to AIDS-related complications, Haring's legacy continues to influence contemporary art. His "Totems" stand as a testament to his innovative approach to art, blending historical references with contemporary issues and aesthetics​ (Guy Hepner)​​ (Wikipedia)​.