KAWS' paintings of "Fat Albert" are a significant part of his exploration into the nostalgia and cultural critique that characterizes much of his work. One of the most notable pieces in this vein is "UNTITLED (FATAL GROUP)" (2004), a work that showcases characters from the 1970s cartoon series "Fat Albert," reimagined with KAWS' signature elements, such as X-ed out eyes, demonstrating his unique blend of pop culture appropriation and artistic innovation. This painting underscores KAWS' interest in repurposing familiar cartoon figures to comment on broader themes of identity, consumption, and the visual language of popular media.

"UNTITLED (FATAL GROUP)" achieved remarkable success in the art market, selling for $2.7 million, which was about triple its high estimate, underscoring KAWS' significant impact on the contemporary art scene. This sale is indicative of the broad appeal of KAWS' work, from his vinyl toys to large-scale paintings, which resonates with a wide range of collectors, from those interested in designer toys to fine art aficionados.

KAWS' work, including his "Fat Albert" inspired pieces, engages with a universal visual culture, employing familiar imagery to invite reflection on the intersections of art, commerce, and popular culture. His approach to artmaking is characterized by its democratic nature, accessible subject matter, and the use of various materials, making his art appealing to a global audience engaged with visual culture. This strategy has placed KAWS at a unique position in the art world, bridging the gap between high art and accessible, mass-produced items, and illustrating the fluid boundaries of contemporary artistic practice​ (Artnet News)​​ (Phillips)​​ (Artsy)​.