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2010s
2010s

In the 2010s, Julian Schnabel continued to expand his diverse artistic practice, maintaining a dynamic presence in both the art and film worlds. The decade was marked by several key exhibitions and cinematic achievements that underscored Schnabel's enduring influence and adaptability as an artist. One notable exhibition was held at the Art Gallery of Ontario in Toronto from September 1, 2010, to January 2, 2011. Occupying the gallery's fifth floor, this exhibition explored the rich interplay between Schnabel's paintings and films, highlighting the multifaceted nature of his work​ (Wikipedia)​. Further emphasizing his significance in the art world, in 2011, the Museo Correr in Venice hosted "Julian Schnabel: Permanently Becoming and the Architecture of Seeing," a curated selection of Schnabel's work that offered insight into his evolving artistic vision​ (Wikipedia)​. During this period, Schnabel's film career also continued to flourish. After the success of earlier films like "Basquiat" and "The Diving Bell and the Butterfly," Schnabel directed "Miral" in 2010. Later, in 2018, he released "At Eternity's Gate," a film about Vincent van Gogh, further cementing Schnabel's ability to blend his artistic and cinematic talents. The film, starring Willem Dafoe as Van Gogh, was co-written by Schnabel, highlighting his deep involvement in the storytelling process​ (Wikipedia)​. In his painting practice, Schnabel remained committed to experimentation and material exploration. For instance, works like "Basic Boating" (2015) utilized photographic imagery combined with bold gestural strokes, demonstrating Schnabel's ongoing interest in merging different mediums and techniques​ (www.wikiart.org)​. This period of his career was characterized by a continued departure from the heavily ornamented style of his earlier work towards a more nuanced exploration of form, material, and narrative. The 2010s were a decade of significant achievement and exploration for Julian Schnabel, showcasing his relentless pursuit of artistic expression across multiple platforms. His work during this period not only reflected his established themes and methodologies but also indicated a readiness to confront new challenges and media, thereby enriching the contemporary art and film landscapes.

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