In the 2000s, Julian Schnabel's artistic endeavors continued to evolve, showcasing his versatility across various mediums and themes. His work during this period was marked by significant exhibitions and continued exploration in painting, contributing to his standing as a pivotal figure in contemporary art. Schnabel's engagement with both the art and film industries saw notable achievements, particularly with his critically acclaimed film "The Diving Bell and the Butterfly" (2007), which garnered him the award for best director at the 2007 Cannes Film Festival, among other accolades. This period in Schnabel's career illustrates his fluidity between visual arts and filmmaking, demonstrating his capability to convey profound narratives regardless of the medium (Wikipedia). His work in the early 2000s also included significant exhibitions that further cemented his reputation. For instance, "Big Girl Paintings" at the Gagosian Gallery in 2002, and comprehensive survey shows such as the one at Museo Correr in Venice in 2011 titled "Permanently Becoming and the Architecture of Seeing", curated by Norman Rosenthal, displayed the breadth of Schnabel's work and his continuous influence on contemporary art (Julian Schnabel). Moreover, Schnabel's paintings from this era, such as "Untitled (Christ's Last Day) VI" from 2007, exhibit a departure from the heavily impastoed and ornamented works of his earlier career. This piece, an ink reproduction of an early-20th-century x-ray, indicates a shift towards subtler, yet deeply evocative expressions, focusing on themes of human frailty and spirituality (The Art Story). Throughout the 2000s, Schnabel's contributions to both art and cinema were significant, with his work being featured in major exhibitions and his films receiving critical acclaim. His ability to navigate and redefine the boundaries of contemporary creative expression underscores his enduring impact on the cultural landscape (www.wikiart.org) (Wikipedia) (The Art Story) (Encyclopedia Britannica) (Julian Schnabel).