Jonas Wood's interior paintings stand as a vibrant exploration of domestic spaces, characterized by their innovative use of color, pattern, and perspective. Rooted in his personal experiences and surroundings, these works reflect Wood's interest in the everyday spaces we inhabit and the memories they hold. His technique involves using photographs from his life or found images as source material, which are then deconstructed and reassembled into collage-based studies. This process allows Wood to transform the three-dimensional world into flat, layered compositions, blending geometry, pattern, and color in a way that both celebrates and challenges traditional notions of interior painting (David Kordansky Gallery) (Wikipedia).
Wood's interiors are notable for their quasi-abstract logic, where the warmth of personal spaces is matched by a complex arrangement of forms that probe the boundary between the familiar and the new. Through his paintings, he offers a freshened perception of the world, inviting viewers to see common spaces in new lights. The integration of emotionally resonant material from everyday life into his work adds a layer of sincerity and depth, making his interiors not just representations of space but reflections on the impact of those spaces on our lives (David Kordansky Gallery).
The "Interiors and Landscapes" exhibition showcased Wood's significant advances in composition and color, highlighting his unique ability to convey emotional depth, humor, and a vivid sense of place. In these works, familiar locations are reimagined with surprising shifts in perspective and dense visual patterning, creating immersive environments that are both inviting and disorienting. This body of work solidifies Wood's position as a pivotal figure in Los Angeles's art scene and a key inheritor of American figurative painting's lineage (David Kordansky Gallery).
Wood's interior paintings often feature spaces devoid of human presence yet filled with signs of life, such as the workspace of his wife, Shio Kusaka, depicted not in activity but in a moment of quiet anticipation. This approach to painting interiors underscores a contemplative engagement with space, where the absence of people emphasizes the emotional and narrative richness of the environments themselves (David Kordansky Gallery).