In the 1990s, John Chamberlain's artistic practice continued to evolve, reflecting both a dedication to his established methods and an openness to experimentation. This period saw Chamberlain receiving numerous awards for his contributions to the art world, including the Skowhegan Medal for Sculpture and the Lifetime Achievement Award in Contemporary Sculpture from the International Sculpture Center in Washington, D.C., both in 1993. Additionally, he was honored with the Gold Medal from the National Arts Club in New York in 1997 and the Distinction in Sculpture from the Sculpture Center in New York in 1999​ (Santa Fe Art Institute)​. During this time, Chamberlain's work remained rooted in his distinctive approach to sculpture, primarily utilizing crushed automobile steel to create forms that revealed the expressive potential of industrial materials. His sculptures from this period, such as "Opus 18" (1998), "ENTIRELYFEARLESS" (2009), and "EUPHORIAINAHAT" (2010), continued to explore the interplay of color, weight, and balance, characteristics that had defined his work from the beginning​ (Gagosian)​. Chamberlain's commitment to his craft was further exemplified by his participation as a Master Artist in Residence at the Santa Fe Art Institute in 1994, where he conducted master classes with selected artists. This engagement not only underscored his influence on younger generations of sculptors but also highlighted his ongoing exploration of the formal and conceptual possibilities of sculpture​ (Santa Fe Art Institute)​. The 1990s were a decade of recognition and continued innovation for Chamberlain, solidifying his legacy as a pioneering figure in contemporary sculpture. His work from this period exemplifies the culmination of decades of experimentation with materials and forms, standing as a testament to his enduring impact on the field of sculpture.