John Baldessari's art in the 2000s continued to reflect his characteristic blend of text, image, and concept, showcasing his enduring impact on conceptual art. Throughout his career, Baldessari was fascinated by the interplay between words and pictures, often pulling images from their original contexts and juxtaposing them with text to challenge viewers' perceptions and expectations. This approach is evident in his ongoing exploration of the boundaries between various forms of communication and expression. In the 2000s, one of Baldessari's notable series was "Prima Facie," which translates from Latin to "at first sight." This series juxtaposed photographic portraits with phrases that, at first glance, seemed to describe the emotional content of the images. However, the relationship between the text and the image often invited deeper reflection on the part of the viewer, challenging the assumption that images can be straightforwardly 'read' or understood based on accompanying text. Another series, "Noses & Ears, Etc.," focused on isolated facial features set against abstract backgrounds, further exploring themes of identity, perception, and the parts-to-whole relationship in human recognition and narrative construction​ (The Art Story)​. Baldessari's work in the 2000s also included large-scale inkjet prints in his "Double Bill" series, where he paired the work of two different artists on a single canvas, overlaying them with his hand-painted color additions. By doing so, he continued his exploration of appropriation and the dialogue between different artistic styles and eras. This series, along with other works from this period, underscored Baldessari's interest in challenging conventional notions of authorship, creativity, and the role of the artist in creating meaning​ (Wikipedia)​. Throughout his career, and indeed into the 2000s, Baldessari's art was underpinned by his pedagogical approach, which reflected experimentation, rule-based systems, and working within arbitrarily imposed limits to find new solutions to problems. This approach was not only a hallmark of his teaching career but also deeply integrated into his worldview and artistic philosophy​ (Art21)​. Baldessari's contributions were widely recognized, as evidenced by numerous exhibitions and retrospectives, including a major one that traveled to Tate Modern in London, the Metropolitan Museum of Art in New York, and the Los Angeles County Museum of Art in 2009–2010. His work has influenced a vast array of artists across generations, underscoring his role as a pivotal figure in the development of conceptual art​ (Art21)​. John Baldessari's work in the 2000s continued his lifelong exploration of the intersections between image, text, and concept. His innovative use of juxtaposition and appropriation during this period further solidified his legacy as a transformative figure in contemporary art.