John Baldessari's "Sediment (Part Two)" series from 2010 continues his exploration of combining photography with painting, a hallmark of his conceptual art. In this series, Baldessari once again challenges traditional boundaries between different artistic mediums, employing varnished archival prints on canvas overlaid with oil and acrylic paint. This method creates a rich texture and depth, blurring the lines between the flatness of photography and the tactility of painted surfaces.

One notable piece within this series is titled "Sediment (Part Two): Fur, Dress and Column," which measures 70 x 54 inches. Like other works in the "Sediment" series, it showcases Baldessari's adeptness in merging disparate elements into cohesive compositions that provoke thought and invite viewers to make personal connections or interpretations​ (Marian Goodman)​.

Another piece, "Sediment (Part Two): Hand, Ladle, Spaghetti, Pot, Plate and Chair," similarly utilizes varnished archival print on canvas with oil and acrylic paint, exemplifying Baldessari's innovative approach to material and imagery. Through the combination of everyday objects and parts of the body, this artwork, along with others in the series, embodies the artist's playful yet profound interrogation of visual language and representation​ (The Broad)​.

Baldessari's work in "Sediment (Part Two)" is emblematic of his broader artistic concerns, particularly his interest in pushing the limits of how images and objects are perceived and understood. By overlaying photographic images with painterly interventions, Baldessari creates a dynamic interplay between reality and abstraction, inviting viewers to reconsider their assumptions about art and the act of viewing.