John Baldessari's Arms & Legs (Specif. Elbows & Knees), Etc. series from 2007 presents a fascinating exploration of the human form by isolating and juxtaposing body parts in unexpected ways. This series is part of Baldessari's broader investigation into fragmenting the body and examining its components within minimalistic and surreal contexts. Through the combination of photographic, painted, and three-dimensional elements, Baldessari focuses on elbows, knees, and other segments, often incorporating objects like bottles to create whimsical and thought-provoking compositions. This approach humorously engages with the legacy of Surrealism, setting the stage for a dialogue on the subjective nature of representation​ (Kadist)​.

Each piece in the series, such as Arms & Legs (Specif. Elbows & Knees), Etc. (Part One): Elbow (With Blue Hat), showcases Baldessari's skill in creating depth and narrative using limited visual elements. By laminating three-dimensional archival prints with Lexan and mounting them on Sintra, complemented by acrylic paint, Baldessari adds layers of complexity to the seemingly straightforward depictions. The series, celebrated for its innovative technique and conceptual depth, was exhibited at the Marian Goodman Gallery in Paris in 2007, further cementing Baldessari's role as a pivotal figure in contemporary art​ (Sothebys.com)​.

Baldessari's work, including the Arms & Legs series, is driven by a fascination with the arbitrary and the playful. It invites viewers to engage with art in a more interactive and contemplative manner, encouraging them to consider the ways in which parts of the body can be abstracted, re-contextualized, and imbued with new meanings. Through this series and his extensive body of work, Baldessari continues to influence the realm of conceptual art, challenging perceptions and inviting a reevaluation of the familiar.