Jasper Johns' art in the 2010s continues to be a subject of fascination, reflecting his lifelong exploration of themes like perception, symbolism, and the interplay between object and image. Even in the later stages of his career, Johns remained a pivotal figure in the art world, pushing the boundaries of abstract and representational art. His work from this decade, such as the 2020 piece "Slice," showcases Johns' ongoing engagement with texture, form, and the layered meanings that emerge from seemingly simple forms. This work reproduces a drawing of a knee by Jéan-Marc Togodgue, a Cameroonian emigre student basketball player, highlighting Johns' interest in incorporating diverse influences and narratives into his art​ (Wikipedia)​. Throughout the 2010s, Johns' contributions to contemporary art were recognized with numerous accolades, affirming his status as one of the most significant American artists. His art continues to challenge viewers to reconsider their perceptions of familiar symbols, blending the personal with the universal, and the abstract with the representational​ (The Art Story)​​ (Wikipedia)​. Johns' legacy is not only marked by his groundbreaking art but also by his contributions to the broader art community, including his support for the Merce Cunningham Dance Company and his significant contributions to the National Gallery of Art's print collection. Living and working in Connecticut, Johns has also made plans for his property to become an artists' residency, further extending his influence on future generations of artists​ (Wikipedia)​. Johns' work in the 2010s exemplifies his mastery over his medium and his enduring ability to provoke thought and reinterpretation of common icons, a testament to his unparalleled position in the art world.