In the 2000s, Henry Taylor's art continued to evolve, gaining significant attention and acclaim for his distinctive approach to depicting the African American experience. This decade marked a period of prolific output and increasing recognition for his ability to blend personal narratives with broader social and political commentary. One of the defining characteristics of Taylor's work in the 2000s is his focus on portraying everyday life within the Black community. His paintings often feature intimate scenes that capture the simplicity and complexity of daily interactions. For instance, "Gettin it Done" (2016) depicts a man getting his hair braided on a stoop, a scene that emphasizes the normalcy and cultural significance of such activities. Taylor’s subjects are portrayed with a raw immediacy, inviting viewers to connect with their humanity and individuality (Artsy) (Art of Museum). Throughout this decade, Taylor also continued to explore themes of racial and social injustice. His works frequently address systemic issues such as police violence, economic disparity, and the criminal justice system. "The Times Thay Aint A Changing, Fast Enough!" (2017) is a powerful piece that responds to the police shooting of Philando Castile, capturing the urgency and frustration of ongoing racial injustices. Taylor’s art serves as a poignant reminder of the persistent challenges faced by the Black community and the need for continued activism and awareness (Artsy) (Whitney Museum of American Art). Taylor's technique during the 2000s remained rooted in his expressive and gestural style, characterized by bold brushwork and a vivid color palette. His use of found materials and unconventional supports, such as cigarette packs and cardboard, added layers of meaning to his work, connecting his subjects to their environments and everyday realities. This innovative approach to materials is evident in his assemblage sculptures and mixed media pieces, which further expanded the scope of his artistic expression (Art of Museum) (Artnet News). The 2000s also saw Taylor gaining significant institutional recognition. His work was featured in prominent exhibitions, such as the 2012 solo exhibition at MoMA PS1, which helped cement his reputation as a leading contemporary artist. These exhibitions not only showcased the breadth of his work but also highlighted his ability to merge personal and communal histories with a keen social critique (Artnet News) (Whitney Museum of American Art). The 2000s were a transformative period for Henry Taylor, marked by a prolific body of work that delved deeply into themes of Black life, social justice, and human vulnerability. His distinctive style and innovative use of materials continued to push the boundaries of contemporary art, making him a vital voice in the art world (Artsy) (Art of Museum) (Whitney Museum of American Art) (Artnet News).