In the 1950s, Henri Matisse continued to explore and expand upon the innovative techniques that had characterized his work in the previous decade, particularly his work with cut-outs. This period is notable for Matisse's further experimentation with this medium, creating works that were not only revolutionary in their method of creation but also in their conceptual approach to art-making. The cut-outs became an integral part of Matisse's exploration of color, form, and space, allowing him to "draw in color" in a manner that was both direct and immensely expressive. The technique involved cutting into painted paper and arranging these pieces into vibrant compositions. This method represented a significant departure from traditional painting and sculpture, blurring the boundaries between these disciplines. Matisse's cut-outs were not mere preparatory studies or minor diversions; they were a fundamental aspect of his artistic production during this period, showcasing his unyielding creativity and willingness to explore new artistic territories even late in his career. One of the masterpieces from this period is "The Snail" (1953), a large-scale cut-out that exemplifies Matisse's skill in using color and form to create a sense of movement and harmony. This work, among others from the 1950s, underscores Matisse's enduring influence on modern art, demonstrating his role as a pioneer in the use of color and innovative artistic techniques. Throughout the 1950s, Matisse's health declined, limiting his ability to work with traditional artistic mediums. Despite these challenges, he remained productive and creative, with the cut-outs serving as a testament to his adaptability and his continued commitment to innovation. Matisse's work from this decade remains a crucial part of his legacy, highlighting his position as one of the 20th century's most influential artists, whose stylistic innovations fundamentally altered the course of modern art​ (The Museum of Modern Art)​​ (The Art Story)​​ (Encyclopedia Britannica)​.