In the 1960s, Hans Hofmann's career and artistic output continued to flourish, marking the culmination of his contributions to the Abstract Expressionist movement and solidifying his legacy as a pivotal figure in 20th-century art. In 1960, Hofmann was selected alongside Philip Guston, Franz Kline, and Theodore Roszak to represent the United States at the Venice Biennale, where thirteen of his paintings were featured, emphasizing his stature within the Abstract Expressionism movement and his role as an influential teacher​ (HANS HOFMANN)​. This decade was also significant for Hofmann personally and professionally. In 1963, after the death of his wife Miz, Hofmann experienced profound loss but continued to work prolifically, completing about 60 paintings that year. His dedication to his work helped him through this challenging period​ (HANS HOFMANN)​. Hofmann's contribution to the University of California at Berkeley, where he first taught in the United States, was monumental. In 1963, he formalized an agreement to donate 45 paintings and $250,000 towards the construction of a museum at the university, which would feature a wing named in honor of himself and his wife​ (HANS HOFMANN)​. 1964 marked a new chapter in Hofmann's life when he met Renate Schmitz, whom he would marry the following year. Despite their significant age difference, Hofmann remained active in the art world, receiving multiple awards and honors. His work from this period reflects a mastery of abstract expressionism, with bold color planes and dynamic compositions that embody his "push and pull" philosophy​ (HANS HOFMANN)​. Hofmann's art in the 1960s is characterized by vibrant color, complex spatial dynamics, and an emotive power that speaks to his deep engagement with the materiality and possibilities of painting. Works from this period, like "Combinable Wall I and II" (1961) and "The Clash" (1964), showcase Hofmann's ability to create "pulsating, luminous, and open surfaces that emanate a mystic light," in accordance with his profound understanding of life and nature​ (BAMPFA)​. Hofmann passed away in 1966, but his artistic and pedagogical legacy continues to resonate. His belief in the importance of creating pictorial space through the interaction of colors and forms remains influential, demonstrating his role as a foundational figure in abstract expressionism​ (Wikipedia)​​ (BAMPFA)​.