In the 1980s, George Condo emerged as a pivotal figure in New York's vibrant art scene, a period marked by his engagement with the Neo-Expressionist movement and the beginning of his lifelong exploration into blending various art historical styles with contemporary influences. His art during this era is characterized by the coining of the term "Artificial Realism," which he described as "the realistic representation of that which is artificial," laying the groundwork for his unique approach to painting that challenges traditional perceptions of figuration and abstraction​ (Wikipedia)​​ (The Art Story)​. Condo's work in the 1980s is notable for its eclectic merging of influences, from Cubism and Surrealism to Pop Art, reflecting his adeptness at navigating between high art and popular culture. His early attempts at this synthesis can be seen in works such as "Dancing to Miles" (1985-86), where he combined the improvisational spirit of jazz and Beat movement with a Cubist style, reflecting his philosophy that contemporary painting's role is not to invent but to repurpose and recombine preexisting styles. This philosophy is indicative of Condo's broader aim to mirror the fragmented and multisensory experience of modern life through his art​ (The Art Story)​. During this time, Condo's interactions with key figures in the art world, such as Keith Haring and William S. Burroughs, further influenced his artistic direction. These collaborations and encounters helped deepen his engagement with the complexities of the human psyche, a theme that would remain central throughout his career. His work from this period showcases a blend of artistic influences, designed to challenge the viewer's expectations and engage with the surreal and the grotesque, a method he later termed "Psychological Cubism"​ (Art in Context)​. By the end of the 1980s, Condo had established himself as an artist capable of bridging the gap between past and present, realism and abstraction. His pioneering work laid the foundation for a career that would continue to explore the boundaries of art, making him one of the most influential figures in contemporary painting. Condo's art from the 1980s encapsulates a moment of significant artistic experimentation and innovation, reflecting a deep engagement with the cultural and social contradictions of the time​ (Art in Context)​.