George Condo's exhibitions at the Gary Tatintsian Gallery, particularly the notable "Artificial Realism" show in 2008, highlighted his unique blend of classical and contemporary art forms. This exhibition featured works that epitomize Condo's signature "Psychological Cubism," where he melds the realistic representation of artificial or exaggerated forms to explore the depths of human psychology and societal norms.

The "Artificial Realism" exhibition included several key pieces such as "Woman and Man," "Smiling Face," "Seated Girl," and "Orgy Composition," all created in 2008. These works demonstrate Condo's mastery in blending the grotesque with the humorous, often featuring distorted, fragmented figures that challenge traditional notions of portraiture. For instance, "Orgy Composition" depicts a chaotic scene with exaggerated human forms, encapsulating the complexity and absurdity of human interactions​ (Tatintsian Gallery)​​ (Tatintsian Gallery)​.

Condo's approach in these works often references historical art movements while incorporating modern cultural elements. His technique draws from Old Master painting traditions, merged with the aesthetics of Cubism, Surrealism, and Pop Art. This fusion creates a visual language that is both familiar and unsettling, forcing viewers to confront the layers of meaning within his chaotic, yet meticulously structured compositions​ (Ocula)​.

Through exhibitions like those at the Gary Tatintsian Gallery, Condo continues to solidify his role as a pivotal figure in contemporary art, bridging the gap between classical art forms and modern expression. His ability to evoke deep psychological and philosophical questions through his visually striking works makes his exhibitions a profound experience for audiences​ (Tatintsian Gallery)​.