In the 1970s, Georg Baselitz's art underwent significant transformation and evolution, marking a period of intense experimentation and innovation that further established his reputation as a pioneering postwar artist. During this decade, Baselitz continued to explore the themes of fragmentation and dislocation, deepening his engagement with the human figure and the landscape, while also beginning to experiment with new techniques and forms of expression. The early 1970s saw Baselitz producing landscapes that were thematic explorations of pictures-within-a-picture, indicating a meta-artistic reflection on the nature of painting and representation. This period was characterized by a series of exhibitions at Munich's Galerie Heiner Friedrich, where Baselitz showcased his evolving artistic vision. Notably, the Kunstmuseum Basel hosted the first retrospective of Baselitz's drawings and graphic works in 1970, affirming his significance within the contemporary art scene​ (Wikipedia)​. A pivotal moment in Baselitz's career occurred in 1975 when he moved to Derneburg, Germany, where he would later serve as a professor at the Staatliche Akademie der Bildenden Künste in Karlsruhe and the Hochschule der Bildenden Künste in West Berlin. It was during this time that Baselitz began to intensively explore sculpture, culminating in his exhibition of the first sculpture at the Venice Biennale in 1980. This period was marked by the production of monumental wooden sculptures that mirrored the raw, expressive force of his painted works. The sculptures were characterized by their crude, unrefined treatment of wood, echoing the gestural intensity of his paintings. Baselitz's foray into sculpture was a natural extension of his ongoing exploration of form, materiality, and the potential of artistic media to convey deep emotional and existential themes​ (The Art Story)​. Baselitz's work in the 1970s is notable for its rejection of abstraction in favor of a more expressive, figurative approach that emphasized the surface and material aspects of painting and sculpture. This shift was part of a broader movement among German artists of the time, who sought to redefine the possibilities of postwar German art through a return to recognizable subject matter and a renewed focus on the expressive potential of art. Baselitz's contributions to this movement were characterized by his distinctive use of inversion, fragmentation, and a heightened sense of physicality and presence within his work​ (Encyclopedia Britannica)​. Through his innovative practice, Baselitz challenged conventional aesthetic and conceptual boundaries, contributing to a dynamic reevaluation of the role of art in postwar society. His work from the 1970s not only reflects a deep engagement with the tumultuous history and cultural identity of postwar Germany but also signals the emergence of a unique artistic voice that would continue to influence contemporary art for decades to come.