In the 2010s, Georg Baselitz's artistic journey continued to evolve, showcasing his profound engagement with sculpture alongside his well-established practices in painting and drawing. The decade was marked by Baselitz's deepened exploration into sculptural forms, as evidenced by his exhibition at the Serpentine Galleries titled "Georg Baselitz: Sculptures 2011-2015." This exhibition highlighted a series of towering sculptures and inky drawings directly from his studio, offering a rare glimpse into his creative process. Baselitz's sculptures, originally conceived as maquettes for bronze works, were crafted from single tree trunks using power tools. These pieces underscored his interest in the raw and tactile qualities of wood, embodying the artist's ongoing dialogue between the figurative and the abstract. Additionally, the drawings featured in the exhibition were not preparatory sketches but rather concurrent explorations made during the sculpting process, further illuminating the interconnectedness of Baselitz's multi-medium approach​ (Serpentine Galleries)​. Throughout the decade, Baselitz's work continued to be celebrated and examined in numerous significant exhibitions globally, affirming his status as a critical figure in contemporary art. His contributions were recognized in exhibitions such as "Baselitz – Naked Masters" at the Kunsthistorisches Museum, Vienna; "Georg Baselitz: Six Decades of Drawings" at The Morgan Library & Museum, New York; and "Baselitz – Academy" at Gallerie dell’Accademia, Venice, among others. These retrospectives not only showcased his expansive body of work but also his contemplations on the complexities of representing the human figure and his nuanced approach to national identity, aesthetic frameworks, and the human condition. Baselitz's work in the 2010s reflects a career that has consistently pushed the boundaries of expression, challenging conventional perceptions of art while offering a deeply personal yet universal exploration of form, identity, and existence​ (Serpentine Galleries)​. Baselitz's influence on subsequent generations of artists remains undeniable, as he has navigated controversy and critical acclaim with equal prowess. His unique inversion technique, which began in the late 1960s, has continued to play a significant role in his artistic language, emphasizing the material and formal aspects of art over narrative content. Baselitz's engagement with sculpture in the 2010s, characterized by the physicality and immediacy of his wooden figures, reinforces his enduring commitment to exploring the essence of artistic expression across different mediums​ (Wikipedia)​.