Felix Gonzalez-Torres's art in the 1970s isn't widely documented, primarily because his significant contributions to the art world became prominent in the late 1980s and early 1990s. Gonzalez-Torres, born in 1957, would have been in his early twenties at the close of the 1970s. His journey from Cuba to Puerto Rico and then to New York City, where he settled in the late 1970s, marks the beginning of his path as an artist. It was in New York where he pursued his art studies and began to develop his practice​ (Felix Gonzalez-Torres Foundation)​​ (Felix Gonzalez-Torres Foundation)​. The late 1970s for Gonzalez-Torres were a period of transition and education, setting the stage for his later work that combined conceptual art with minimalist practices. His art is known for its profound reflections on personal and political themes, often using everyday objects like candy, clocks, and paper stacks to explore issues such as love, loss, identity, and the AIDS crisis. While specific artworks from the 1970s are not frequently mentioned, his foundational years in New York were crucial in shaping his perspectives and artistic methods. By the late 1980s, Gonzalez-Torres had become associated with the Group Material collective, a group known for its activist art that addressed social and political issues. This involvement reflects his broader engagement with social activism and the critical use of art to interrogate public and private spaces, ownership, authorship, and the fluidity of art's meaning​ (Felix Gonzalez-Torres Foundation)​. Gonzalez-Torres's work is emblematic of his ability to weave together personal experiences with broader social observations, using his art to question established norms around art collection, the role of the audience, and the nature of art itself. Despite the scarcity of detailed records of his work specifically from the 1970s, his early years in New York were undoubtedly formative, influencing his later critically acclaimed works that challenge the boundaries of conceptual and minimalist art​ (Felix Gonzalez-Torres Foundation)​.