In the 1980s, David Hockney continued to evolve and expand his artistic exploration, delving into various mediums and themes. A significant work from this period is "Large Interior, Los Angeles" (1988), which encapsulates his vibrant use of color and innovative perspectives, reflecting his ongoing fascination with California's atmosphere and its impact on his creative output​ (Hockney)​. This decade was marked by Hockney's exploration into photography, where he experimented with photo-collages. This new approach allowed him to piece together multiple snapshots taken from slightly different angles, creating a sense of movement and a more complete perspective, reminiscent of the Impressionist style​ (Artist Closeup)​. Hockney's engagement with technology during this period was not just a continuation of his artistic journey but also a reflection of his response to the social and cultural changes of the time, notably the impact of the AIDS crisis. This crisis profoundly affected the art world and Hockney personally, as he lost many friends to the disease. The first person Hockney knew who died of AIDS passed away in 1983, marking the beginning of a decade of loss for him and the broader artistic community​ (The Art Story)​. Throughout the 1980s, Hockney remained a prominent figure in the art world, celebrated for his contributions to figurative painting and his innovative use of color and form. His work from this decade, characterized by a blend of personal reflection and social commentary, solidified his position as one of the most influential British artists of the 20th century​ (Wikipedia)​​ (Encyclopedia Britannica)​.