During the 2010s, David Hockney continued to innovate and captivate the art world with his vibrant and exploratory works. This decade saw him delve deeply into digital art, creating striking works on iPads and showcasing them in prominent exhibitions. Hockney's adoption of the iPad as a medium for his art from 2010 onwards is indicative of his unceasing curiosity and willingness to experiment with new technologies in his artistic practice. His work during this period includes a range of subjects, from the natural world to more personal and introspective themes​ (Hockney)​​ (Royal Academy of Arts)​. One of the highlights of this era is Hockney's "The Arrival of Spring, Normandy, 2020" exhibition, which featured 116 new works created on his iPad during the lockdown of the COVID-19 pandemic. These pieces, later printed onto paper, mark a significant chapter in Hockney's career, showcasing his optimistic outlook and deep appreciation for the natural world. This exhibition, held at the Royal Academy of Arts, London, was a testament to Hockney's enduring inventiveness and his ability to find joy and beauty in the world around him, even during challenging times. The works from this period not only underscore Hockney's mastery of digital mediums but also reflect his ongoing exploration of themes such as the passage of time, the change of seasons, and the everyday beauty of the landscape​ (Royal Academy of Arts)​. Throughout the 2010s, Hockney's art remained as influential and revered as ever, with his willingness to embrace digital mediums reinforcing his status as a pioneering figure in contemporary art. His explorations with the iPad allowed him to capture fleeting moments and changing scenes with immediacy and intimacy, further expanding the boundaries of his creative expression. Hockney's work from this decade is a powerful reminder of the continual evolution of art and the endless possibilities that arise from embracing new technologies and mediums.