David Hockney's double portraits, created between 1968 and 1977, stand as some of his most introspective and revealing works, offering a window into the relationships and personal dynamics of his subjects, as well as reflecting Hockney's own perceptions and artistic influences. These portraits are celebrated for their depth, mastery of realism, and the precision with which Hockney captures the essence of his subjects and their surroundings.

One of the most notable pieces from this period is the portrait of Fred and Marcia Weisman titled "American Collectors" (1968). The Weismans were prominent art collectors, and Hockney's portrayal places art at the center of their existence, with their postures mirroring the sculptures behind them, suggesting they are as much a part of their collection as the artworks themselves. This painting, like many of Hockney's double portraits, delves into the complex interplay between people and their environments, capturing the essence of his subjects with striking visual symbolism.

Another significant work is "My Parents" (1977), where Hockney explores the personalities and relationship of his own parents. His father is depicted engrossed in a book, somewhat detached, while his mother sits patiently, her gaze acknowledging the presence of her son, the artist. The inclusion of Piero della Francesca's "Baptism of Christ" in the background and references to the works of Chardin and Marcel Proust's "In Search of Lost Time" enrich the portrait with layers of artistic and literary homage, underscoring the beauty in everyday life and the influence of historical art on Hockney's work.

"Mr. and Mrs. Clark and Percy" (1970-1971), featuring fashion designer Ossie Clark, textile designer Celia Birtwell, and their cat, Percy, shortly after their wedding, is another emblematic piece. It juxtaposes the couple with symbolic elements like lilies, associated with purity, and a sketch for the set of Stravinsky’s opera "The Rake’s Progress," hinting at themes of temptation and domestic discord. This work, as well as others in the series, not only explores the surface aesthetics but also delves deep into the personal narratives and relationships of the subjects, often with prophetic insight into their future.

Hockney's double portraits are not just masterful in their execution but rich in narrative, blending realism with a profound understanding of human relationships and the subtle dynamics that define them. They reveal Hockney's keen observation and ability to capture more than just physical likenesses, embedding each portrait with stories and emotions that resonate well beyond their visual appeal​ (Art Decision)​​ (Art Vista)​.