David Hammons' approach to creating masks delves deeply into themes of race, culture, and identity. After moving to New York in 1974, Hammons' artistic exploration expanded into large-scale public sculptures, performances, and a continued exploration of materials that carry a deep cultural and societal significance. His use of found and everyday materials is particularly notable in his sculptures and masks, which often incorporate elements that resonate with African American experiences and histories​ (Ocula Art)​.

One of his renowned series, the "Spade" works, exemplifies Hammons' use of objects to create potent symbols and commentary on racial stereotypes. The series involves transforming shovels (spades) into masks, turning a derogatory term on its head and mocking the racists through a powerful visual pun that recalls traditional African masks. This series reflects Hammons' interest in the power of symbols and his ability to imbue everyday objects with a narrative depth and cultural significance​ (TheCollector)​.

In a broader sense, Hammons' work transcends simple artistic creation to engage with deeper questions of cultural identity and the social constructs that define it. His works are not just artistic expressions but are deeply embedded with critiques of societal norms, racial stereotypes, and the dynamics of power within the art world and beyond. Through his innovative use of materials and symbols, Hammons invites viewers to reconsider their perceptions and the meanings imbued in everyday objects.