The "Nevis Letters" series by Brice Marden, created between 2007 and 2009, includes works such as "Nevis Letter #4" and "Nevis Letter #5 (To Shitao)." These pieces are characterized by their use of Kremer ink on heavyweight Arches paper, each measuring 22⅞ × 30⅛ inches (58 × 77 cm). This series exemplifies Marden's continued exploration of abstract expression through calligraphic lines and forms, maintaining a dialogue between the materiality of the ink and paper and the fluidity of his gestural marks​ (Matthew Marks Gallery)​​ (Matthew Marks Gallery)​.

Marden's use of heavyweight Arches paper underscores the importance of the substrate in his work, providing a texture and weight that complement the density and movement of the ink. The reference to Shitao in "Nevis Letter #5" highlights Marden's ongoing engagement with Asian aesthetics and philosophy, specifically the tradition of Chinese calligraphy and its emphasis on the spiritual and dynamic interaction between the artist's inner state and the brush's movement.

Through these works, Marden invites viewers into a meditative space crafted by the intersection of historical artistic practices and contemporary abstraction. His work in the "Nevis Letters" series continues to push the boundaries of minimalist art, emphasizing the subtle nuances of line, color, and form that define his expansive career.