Alex Katz's Swimmers series, including works like "The Swimmer" from 1974, captures the essence of movement, fluidity, and the serene yet dynamic interaction of human figures with water. Katz's approach to this theme is consistent with his broader artistic vision, characterized by a simplification of form, a vibrant yet restrained palette, and an exploration of the interplay between figure and space. "The Swimmer," as an example of this series, is executed in aquatint and drypoint, offering a glimpse into Katz's adeptness not only in painting but also in printmaking. This piece, like many others within the series, showcases Katz's skill in depicting the human figure in motion, set against the backdrop of water or within a landscape of leisure and recreation​ (The Museum of Modern Art)​​ (Smithsonian American Art Museum)​.

Katz's work in the Swimmers series and beyond is marked by an exploration of light, reflection, and the subtleties of human expression, often capturing moments of quiet introspection or casual elegance. The figures in these works, whether portrayed in solitude or in groups, reflect Katz's ongoing interest in the themes of social interaction, the beauty of the mundane, and the transient nature of moments of leisure and relaxation.

Katz's contributions to contemporary art extend far beyond the Swimmers series, encompassing a wide range of subjects including landscapes, portraits, and night scenes. His development as an artist, from his early days at Cooper Union through his pivotal summers at the Skowhegan School for Painting and Sculpture in Maine, laid the foundation for a career that has spanned over seven decades. Katz's work, characterized by its flat planes of color, meticulous compositions, and unique blend of realism and abstraction, has earned him a place as a pivotal figure in contemporary art, with his pieces held in major collections and museums worldwide​ (Alex Katz)​.