Agnes Martin's film "Gabriel," created in 1976, represents a unique and profound exploration within her body of work, diverging from her iconic abstract paintings to a cinematic form. The film, which is her only completed cinematic work, follows a day in the life of a young boy named Gabriel as he interacts with the natural environment around him. Shot in various locations across the American Southwest, the film captures scenes of rural landscapes, including water, countryside, and flowers, emphasizing themes of innocence and freedom (Wikipedia) (Cocosse).

The film's title, "Gabriel," was chosen by Martin to evoke the purity and innocence of an angel, reflecting her intent to create a narrative free from any misery—a stark contrast to typical storytelling that often incorporates conflict. This aligns with Martin's broader artistic aims to evoke emotions and concepts through simplicity and minimalism. In the film, the young boy, portrayed by Peter Mayne, is seen enjoying a day of unburdened freedom, an embodiment of the happiness and innocence Martin sought to capture (Cocosse).

Critically, "Gabriel" has been met with mixed reactions, with some viewing it as an extension of Martin’s abstract explorations into form, space, and perception. The film is noted for its minimalistic approach, often likened to a sensory deprivation experiment that heightens the viewer's awareness and engagement with the visual elements presented. This method echoes the contemplative and introspective qualities of Martin's paintings (Wikipedia).

"Gabriel" has been showcased in various art institutions, including a rare screening at the Museum of Modern Art (MoMA) which also undertook the film's restoration in collaboration with Pace Gallery in 2011. This preservation effort ensures that Martin's cinematic expression continues to be accessible and contributes to the broader understanding of her artistic vision (Wikipedia) (The Museum of Modern Art).