Adrian Ghenie's self-portraits are an exploration of identity, history, and emotion, intertwining personal narrative with broader historical and cultural themes. His work is recognized for its intense, emotionally charged depictions that often incorporate elements of historical significance or references to other artists. Ghenie’s relationship with art and history is deeply personal, rooted in his early exposure to the works of Vincent van Gogh and influenced by the tragic life of the Dutch artist. This connection to Van Gogh is evident in works like "Self-Portrait as Vincent van Gogh," where Ghenie channels the post-impressionist’s spirit through his own image. The encounter with Van Gogh's portraits left a profound impact on Ghenie, leading to a strong, visceral reaction upon seeing one of Van Gogh's self-portraits in person for the first time​ (Sothebys.com)​.

Ghenie’s technique and expressive approach draw comparisons to Francis Bacon, another artist he admires. Similar to Bacon, Ghenie’s self-portraits feature distorted, morphed facial features and a raw, bold application of paint, creating complex imagery filled with swirling colors and intricate textures. This method results in portraits that convey a range of ambivalent emotions and suggest a sense of solitude and existential pain. Ghenie's work reflects not only his personal experiences and influences but also the broader context of European history, particularly the dark periods of the 20th century​ (Sothebys.com)​.

Born in Romania in 1977, Ghenie grew up under Nicolae Ceaușescu's repressive regime, a background that informs the emotional depth and historical consciousness present in his art. Despite the limited output of his highly sought-after paintings, Ghenie has achieved international recognition. His works have been featured in prominent exhibitions globally, including at the Tate Liverpool, Prague Biennale, San Francisco Museum of Modern Art, and Fondazione Palazzo Strozzi in Florence. His contribution to the art world was further recognized in 2015 when he represented Romania at the Venice Biennale​ (Sothebys.com)​.

Ghenie’s self-portraits are not mere representations of his physical self but are imbued with a deeper investigation into the human condition, the intersection of personal and collective history, and the role of the artist in society. Through his unique visual language, Ghenie invites viewers into a complex dialogue with the past, challenging them to confront the layers of history and identity that define our shared human experience.